![grantsslidesbatch14.jpeg](sitebuildercontent/sitebuilderpictures/grantsslidesbatch14.jpeg)
Art prepares to move the admiral during his spacewalk. The radial arm saw that we would mount cameras and models on is
visible in the shot.
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![grantsslidesbatch11.jpeg](sitebuildercontent/sitebuilderpictures/grantsslidesbatch11.jpeg)
Grant poses with the starship models and a rogue tie-fighter lurking beneath the fully illuminated Enterprise.
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![artandgrant02.jpeg](sitebuildercontent/sitebuilderpictures/artandgrant02.jpeg)
Art holds a tiny starship model which will travel through what will become the
Tonly interior. Plastic champagne cups aith red stain and Christmas lights mounted on styrofoam make up the alien set.
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![artandgrant01.jpeg](sitebuildercontent/sitebuilderpictures/artandgrant01.jpeg)
Grant pilots the ship over the Tonly exterior. It consists of a cardboard tube
encrusted with folded geometric-shaped construction paper . A Radio Shack plastic disco globe caps the end with another plastic
champagne cup. Art is dumb-struck.
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![grantglue.jpeg](sitebuildercontent/sitebuilderpictures/grantglue.jpeg)
Grant works on the dish of yet another Enterprise model. the interior of the plastic
was painted black so that the light would only spill out ot the desired areas.
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![grantandships.jpeg](sitebuildercontent/sitebuilderpictures/grantandships.jpeg)
Grant displays the electrified starships. The new Enterprise had its wiring snaked
in from the bottom while the old version was wired from the top.
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![arttonlyprobe.jpeg](sitebuildercontent/sitebuilderpictures/arttonlyprobe.jpeg)
The alien probe was a small fluorescent tube that Art had to animate the characters
around. A bit of a tight squeeze, to be sure.
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![arttonlyprobe2.jpeg](sitebuildercontent/sitebuilderpictures/arttonlyprobe2.jpeg)
The flurescent tube as it appeared without the cast in the way. Damned carbon units!
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![klingoninvadesbridge.jpeg](sitebuildercontent/sitebuilderpictures/klingoninvadesbridge.jpeg)
A Klingon on the bridge? We won't see that for another generation.
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![klurkgetsahand.jpeg](sitebuildercontent/sitebuilderpictures/klurkgetsahand.jpeg)
Art lends Klurk a hand on the Egyptian museum set. The gold figure in the display
case on the right is Darth Vader.
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![viewscreen.jpeg](sitebuildercontent/sitebuilderpictures/viewscreen.jpeg)
The viewscreen slide had a black area where the crew could see where they
were going and what was coming at them.
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![domelights.jpeg](sitebuildercontent/sitebuilderpictures/domelights.jpeg)
The fiber optic portholes carry the interior lighting only where Grant wanted it
to go. The black interior paint kept the light from leaking out around the seams.
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![starship03.jpeg](sitebuildercontent/sitebuilderpictures/starship03.jpeg)
The Fulton's Folly II meets its predecessor in this shot revealing the kitchen setup.
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![starship04.jpeg](sitebuildercontent/sitebuilderpictures/starship04.jpeg)
The charred original Fulton's Folly courtesy of Grant's spray markers. Neither of us was qualified to attempt marking
the model up with gun powder like Ben Bosserman's flame-outs for Star Trix III.
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